XY Episodes on iTunes + Pokémon Symphonic Evolutions

Two pieces of Pokémon news came out yesterday:

-Episodes of Pokémon the Series: XY are now available on iTunes.

-A series of orchestral Pokémon concerts will be held later this year.

You can see a brief overview here:

Additional information:

Pokémon XY on iTunes:
-A free episode (the season premiere) is available on iTunes US.
-HD episodes will download in 720p, and can be streamed in 1080p. The audio is in stereo.
-Pokémon Origins has been on iTunes for roughly a month, but was not officially mentioned by Pokémon until today.

Musician Interview: Ed Goldfarb

The following is an interview with Ed Goldfarb, who recently started working on music for the latest season of the Pokémon anime.

Ed Goldfarb

Where did you grow up, and how did you get into doing music?

I grew up in the San Francisco Bay Area - both my parents play piano (my father professionally, in his youth) and music (Bach, The Beatles, dixieland jazz) was always in the house. I started piano lessons when I was six years old, and…I just kinda dug it, right from the beginning. I started writing little tunes when I was nine years old, and I had my first professional gigs when I was thirteen - writing arrangements for my junior high school musical, and playing piano at a friend’s dad’s 40th birthday party.

What was your early professional career like?

I got a degree in music composition from Cal Berkeley towards the end of the 20th Century, and have had an extremely eclectic career - I’ve music-directed theatrical revues, written for and conducted symphony orchestras, composed film scores, and even produced the occasional gold record  (Boyz II Men’s “Thank You” being the most famous). I’ve also scored many advertising spots, and produced several hundred independent singer-songwriter recordings.

How much did you know about Pokémon before starting work on the show?

I’ve been aware of Pokémon since its introduction in the US in the 90s, but I’d not seen the show ‘til recently (I have an elementary-school age child). I love pop culture, extended mythologies and creatures of all kinds (real and fictional), so I can state without hesitation that I’ve become a very big Pokémon fan.

When did you start working on the show, and how did the new version of the Pokémon Theme develop?

My work on the Pokémon anime commenced with Season 17. The theme song is a “re-imagining" of the original, iconic “Gotta Catch ‘Em All” song, and it really rocks. I'm primarily a keyboard player, but I know my way around the guitar enough to arrange stuff, so I put together a guitar-centric version of the song, and enlisted my friend Ben Dixon to sing it, ‘cause he’s got a real rock tenor voice. The great Lyle Workman recorded the final guitar parts at his studio in Southern California, and Ben flew out to the SF Bay Area to record his vocals at my studio. The song was mixed by Jeff Saltzman in Portland, Oregon. 

The Sad Truth-All I Want is to Make You Happy

The band listed in the credits is called “Ben Dixon and The Sad Truth”. Who exactly is that?

The Sad Truth are a pop songwriting and record-making project that’s essentially myself and my friend Jon Seltzer, who sang all of the songs on our “All I Want is to Make You Happy” album. Jon has a thriving career as a voice actor in L. A. (he’s heard on all of Nissan Automotive’s radio and TV commercials), and he was unavailable to sing the new version of “Gotta Catch ‘Em All”. However, the musical approach we ended up with isn’t entirely dissimilar to other entries in the Sad Truth canon, so it made sense to credit the performance of the song to “Ben Dixon and The Sad Truth”.

You also started to score the show for this season. What kind of sound are you going for there?

My approach to the score for the Pokémon show is to treat it almost like an opera or classic ballet - every character (including the Pokémon) has their own little theme (or leitmotif, in classical parlance) For example, Ash has a three-note theme usually heard on a trumpet, and it reappears in various guises throughout the score, sounding different when he’s enthusiastic, sad, mid-battle, etc.

How does working on the show make you feel?

I’m extremely proud to be involved with such a unique, well-crafted and entertaining program. There’s really nothing like it, and I think Season 17 has some of the best episodes to date, which is extraordinary for a program that’s been around the better part of two decades. Composing the score for the show has certainly made use of skills I’ve developed over the years as a professional composer, but the variety of tone and plot lines from episode to episode has afforded me a wide range of opportunities for musical expression. In a given episode, I’ll compose music that’s evocative of John Williams’ film scores, contemporary classical music, electronica - you name it. It’s a lot of work, but it’s great fun.

"Sky Ball" - The parody you'll never hear

Okay, so after about three weeks of owning Pokémon X, I finally got through the main game and beat the champion, and did some of the post-game content. Overall I’d say the game was pretty good, but I do have one major complaint. So, there are these new things called Sky Battles where flying and levitating Pokémon are used. They’re not super different from regular battles, but the part of it I find truly disappointing is that to catch Pokémon for these battles there’s no Sky Ball in the game, and…I really wanted to write that Adele parody. Those of you that know me know that I like to write song parodies, and I wanted to write one for this new generation, so when I heard about Sky Battles, I started to get some ideas on what I could do for a “Skyfall” parody. Prior to the game’s release, I bought the song and started listening to it to see how I could transform the lyrics. I won’t share everything I came up with, but here’s a brief outline:

So, the original song starts with a 25-30 second instrumental passage. In a parody there needs to be some indication that this is not the original song, so rather than leave it as is, I planned on putting in a conversation between two people that goes something like, “Did you hear about the new Pokémon games?”, “No, what are they called this time?”, “X and Y”, “What, did they run out of colors?”, you know, stuff like that, then towards the end it’s, “They’ve got this new thing called ‘Sky Battles’”, “Lemme guess, is there a new Sky Ball you can use to catch Pokémon?”. That would serve as sort of the opening to the piece.

Then the actual song would start with, “There is no end. Hold your breath here comes 6^th gen.” Throughout the first verse the theme was going to be, “Here comes more Pokémon-there’s nothing you can do about it-I’ve come to dread this moment-I love it and I loathe it”, which leads into the chorus, “here’s a Sky Ball, for your trouble, we will stand tall, and catch ‘em all-together”, and so on.

The second verse was going to focus on the singer adjusting to the new game’s features and such. I didn’t have too many ideas here-“so why is Honedge weak to dark?” was one of them, but leading into the second chorus I was thinking of using something like, “here’s my charge card number, you can take my cash, ‘cuz we’ll never grow apart!” As if the singer was giving in to their love of Pokémon and buying the game.

After the second chorus, the original song goes into this mostly quiet portion for about 20-25 seconds. I was planning on using it for more exposition-most likely another conversation between the characters from the beginning. After that you have the bridge and the final chorus, and my plan there was to wrap up and have the singer express how they liked the game and how it made them feel as a Pokémon fan, but by this time I really was pretty sure there was no Sky Ball in the game and I put this parody on the back burner, and to be honest, unless the TCG bails me out with a Sky Ball card in one of the first few XY sets it’s just not going to happen.

So, that’s “Sky Ball”, a parody you’ll probably never hear. On a happier note, be sure to check out my interview with Jess Domain from last week if you haven’t already. Thanks.