Musician Interview: Charity Goodin ("The Power Of Us" co-performer)

Charity Goodin

The following in an interview with Charity Goodin, co-performer of “The Power Of Us”, the ending theme of the recently released Pokémon movie of the same name.

Where are you from, and how did you get into doing music?

I’m originally from Maryland-just outside of Washington D.C..

Growing up, our home was filled with music. My mother took my sister and me to church to join the choir at five years old. Even at that young age, I enjoyed being able to create the perfect sound I wanted for the lyrics and songs I was singing. I started playing clubs long before I was old enough to be a customer. It was a bit odd at times-when I was in a rock band, I would sit in the car before we went on stage, sing, and then go sit in the car so as not to draw too much attention to myself. Other memorable performances include fronting a Yugoslavian Tamburitza Orchestra (singing in Serbo-Croatian), working with swing and big bands, singing in church choirs in various parts of the country, and now there’s a great group of jazz musicians I perform with called Del Sol. It was through our jazz gigs that I met Ed Goldfarb, the composer and songwriter for Pokémon.

What was your experience with Pokémon before working on "The Power Of Us"?

Most of what I knew came from my son, who was born in 1991. He and his friends would speak in the Pokémon voices and sing the theme songs. That’s really about it.

How did you wind up singing on it? 

Ed and I performed some jazz gigs together, and he asked if I’d like to do some holiday recordings for a CD he wrote and produced. Later, he asked me to sing for a Pokémon demo he was working on, which became the S21 theme song, “Under the Alolan Moon”.

I was thrilled to work with Ed. He is an amazing composer. The harmonies, the complex structures of the pieces are a bit deceptive to the listener. They are so easy to get into your head that you don’t realize the brilliant work that took place.

What was the recording process like?

The recording was detailed and meticulous, and for me, fun. I sang all the parts of the harmony, quite a few times to get the desired effect of a choir. Ed was masterful at getting what he wanted for the vocal sound from me. I think the end result is great.

Is there a particular part of the song you wanted to call out?

I love those harmonies and the hook of the song. The lyrics are very uplifting and positive.

What other musical work have you done recently?

Right now I am getting ready for a couple of Holiday shows. One at the Deerfield Winery Caves in Sonoma and I’m one of the featured soloists for the Santa Rosa Symphony Holiday Pops concert. Amongst other classic holiday songs, I’ll finally be performing “Let It Go” from Disney’s Frozen. I say “finally” because since the movie came out, every time I performed at a wedding or event where children were present, they would ask if I’d sing that song. It was very sweet, but a jazz quartet doesn’t usually have that in the repertoire. Aside from that, I’ve been in a writing/recording collaboration with Rob Fordyce (the bassist from my jazz group), and Jimmy Hobson (a recording engineer at Marinwest Studios).

What's your website, and where can you be found on social media?

My website is charitygoodin.com, and you can also find me on Facebook.